Time has a great photo essay on the Ivanpah solar thermal power project - The Ivanpah Solar Project: Generating Energy Through Fields of Mirrors.

When I visited the Ivanpah Solar Electric Generating System, which sits in the Mojave Desert on the border between California and Nevada, I had to be careful where I looked. The engineers warned me not to look directly at the receivers arrayed on top of the centralized solar towers, which collected the desert sunlight concentrated by thousands of mirrors on the desert floor. The solar receiver was as bright as the heart of the sun, glowing with a retina-melting white. I had to force myself to look away.

Jamey Stillings, though, has far better eyes than I do. A photographer known for his work capturing mega-scale projects like the new bridge at the Hoover Dam, Stillings has been tracking the construction of Ivanpah since 2010, when he began an aerial survey of the site. His epic black-and-white images of Ivanpah reveal how different this solar plant is from other major infrastructure projects. Unlike solar photovoltaic plants, which generate electricity directly from sunlight, Ivanpah uses hundreds of thousands of curved mirrors to reflect and concentrate the desert sunshine. Three tall solar towers, each ringed by the mirrors, collect the heat and generate steam, which drives electric turbines. When it finally opens later this year, it will be the biggest solar thermal plant in the world.

Totally off-topic, but I like this photo sharing / exhibition site - 1X

TreeHugger has an interesting collection of photos of the night sky - 10 Extraordinary Photographs of the Starry Night Sky.

The BBC reports that it is Wildlife Photographer of the Year time once again - Snow leopard wins top photo prize. More at The Telegraph.

A picture of an elusive snow leopard on a night-time prowl has won the prestigious Wildlife Photographer of the Year 2008 award.

Steve Winter's image was captured during a 13-month quest to snap the perfect photo of the endangered species in its hostile habitat high in the mountains of Central Asia. Speaking about his winning snap, Mr Winter said: "I was thrilled to have finally captured the shot I had dreamed of - a wild snow leopard in its true element."

The competition, now in its 44th year, is run by BBC Wildlife magazine and London's Natural History Museum. The panel of judges spent months shifting through more than 32,350 entries before deciding on the winners.

"Everything comes together in this striking picture," said judge Mark Carwardine on Mr Winter's image. "The drama of the snow, the mystery of the darkness, the posture of the rarely photographed snow leopard and the intriguing composition."

Bruce Schneier has some news for the Department of Homeland Security and other organs of big brother - the The War on Photography is really, really stupid and the sort of thing that tinpot totalitarian dictatorships used to indulge in (via Idleworm).

Since 9/11, there has been an increasing war on photography. Photographers have been harrassed, questioned, detained, arrested or worse, and declared to be unwelcome. We've been repeatedly told to watch out for photographers, especially suspicious ones. Clearly any terrorist is going to first photograph his target, so vigilance is required.

Except that it's nonsense. The 9/11 terrorists didn't photograph anything. Nor did the London transport bombers, the Madrid subway bombers, or the liquid bombers arrested in 2006. Timothy McVeigh didn't photograph the Oklahoma City Federal Building. The Unabomber didn't photograph anything; neither did shoe-bomber Richard Reid. Photographs aren't being found amongst the papers of Palestinian suicide bombers. The IRA wasn't known for its photography. Even those manufactured terrorist plots that the US government likes to talk about -- the Ft. Dix terrorists, the JFK airport bombers, the Miami 7, the Lackawanna 6 -- no photography.

Of course, it's far easier to explain the problem than it is to fix it. Because we're a species of storytellers, we find movie-plot threats uniquely compelling. A single vivid scenario will do more to convince people that photographers might be terrorists than all the data I can muster to demonstrate that they're not.

Given that real terrorists, and even wannabe terrorists, don't seem to photograph anything, why is it such pervasive conventional wisdom that terrorists photograph their targets? Why are our fears so great that we have no choice but to be suspicious of any photographer?

Because it's a movie-plot threat. ...

Fear aside, there aren't many legal restrictions on what you can photograph from a public place that's already in public view. If you're harassed, it's almost certainly a law enforcement official, public or private, acting way beyond his authority. There's nothing in any post-9/11 law that restricts your right to photograph.

This is worth fighting. Search "photographer rights" on Google and download one of the several wallet documents that can help you if you get harassed; I found one for the UK, US, and Australia. Don't cede your right to photograph in public. Don't propagate the terrorist photographer story. Remind them that prohibiting photography was something we used to ridicule about the USSR. Eventually sanity will be restored, but it may take a while.