Bitter Lake  

I have enjoyed watching Adam Curtis' work ever since I came across "The Power of Nightmares" back during the Iraq war days.

His most recent film is Bitter Lake, going back for further exploration of what has been going on in Afghanistan over the past 70 odd years.

Curtis has an interview with Jon Ronson on the film, which the snippet below is taken from.

The problem is how that material is then used, when it's processed through broadcast central. It is taken and fitted into increasingly rigid formats in TV that tend to remove the very thing that has been captured so well in the original rushes: the emotional truth of the situation. What it felt like to be there. And what you would think if you yourself were there.

It's part of a much bigger problem. I'm not just talking about news, but about all factual reporting on television. The way they tell stories about the world feels increasingly thin—and more and more detached from the way all of us think and feel. Journalism used to open up reality to tell us new stuff. But now it is helping to keep us all inside the bubble by playing back stuff we already know in slightly altered forms.

So I've taken all that unedited material from Afghanistan and tried to use it in a new way. My aim is both to show the complex reality that we didn't see in Afghanistan, but also to try and do it in a way that's more emotional and involving. Some of it is quite radical, but I think you have to try and do that if you want to puncture the bubble.

Our age is a highly emotional one. It's a time where what people feel as individuals is really important. I'm not saying that journalism should just become a wash of feeling and simply pander to that emotionalism. Journalism's job should always be to explain things to you. But in our age it should do that with real emotional power.

But it doesn't. It has become rigid and full of cliches, and in response people turn away and immerse themselves in the stories of themselves and their friends' lives. Which is exciting—and a new kind of world—but it leaves large parts of the public world completely unexamined, which means that people in power can do more and more what they like.